art

Sound Garden and Other Fun

July 17, 2015

We are sound and we are light.  We participate with these senses and the natural world, a world that we can’t really just observe as we are both the observer and observed.  So let’s not worry about observing our world, but rather opening our senses to a full and beautiful participation with our world, with nature, as a part of it all.  Then we enter a consciousness where everything flows and connects and intermingles in both space and time.


In June 2015 I was fortunate enough to host an installation in a forested creek zone located on the Sunshine Coast.  This natural amphitetheatre provided a space to augment and enhance with visuals and sound.  Collaborating with Giorgio Magnanensi (sound wizard!), we invited people to participate in a sort of other worldly space we created with 4 projectors and embedded audio throughout the forest.  It was an incredibly enriching and fun couple of evenings and surely we will have more shows in Fall.  Thanks to the BC Arts Council for supporting the project.

Here’s what some people had to say about it:

Quite simply, the soundgarden was magical. Giorgio and Nick animated a familiar moon-kissed forest stream nook into a hallucinatory theatre of perception. Carefully choreographed, immersive, interactive, contemplative, and generous, the work playfully encouraged us to unexpected places. What more can one ask of a work of art?

Matthew Talbot-Kelly

 

We attended an event by Giorgio Magnanensi with Nicolas Teichrob called “Sound Garden” and would like to extend our appreciation for this taking place. As Sunshine Coast residents and professional artists it was most inspiring to be taken away from the Bricks and Mortar approach to art expression and be transported into a wonderfully selected and orchestrated location where the experience of the musical and visual art was seamlessly intertwined with the amazing canvas that nature provided. 

 The benefits to the Sunshine Coast for this type of weekend event are varied and many, but for us specifically, it is assurance that interesting contemporary expression of the arts is being demonstrated at a very high level. This event breathes life into all aspects of creative expressions on the Sunshine Coast, promotes exploration, demonstrates positive creative leadership and fosters better understanding of why we live and culturally develop here on the West Coast. “Sound Garden” also has the Cool Factor that will be talked about off the coast and around the world…in fact, we were just sharing the experience along with pictures with family and friends in Europe, and this makes us look like we live in a culturally rich and developing environment.

 Thank you for helping realize this, and we very much hope this event format may be considered for future years, as it is sure to be a continued success.

Lee and Bon Roberts – Goldmoss Gallery 

 

Create and be happy.


Protected: Spun Spectrums

September 22, 2014

This content is password protected. To view it please enter your password below:


Synesthesia

September 20, 2014

As those of you who have spent time looking at my imagery, moving and not, have likely picked up on an attention to detail and elements of precision.  This is something I hold most true, that no video cut is ever 1 frame off (1/24th of a second), and nothing extra is an image.  Along this path, the music I choose to marry my images when assembled in slideshow or video form, is also precise.  The combination of two senses receiving the same emotional information yields a response in the active viewer/listener that is what really in art I think we are all trying to achieve.  An amplification of the emotions, the connections, the understanding of things in our vision and our minds, a synthesis of senses.

Here are a few slideshows and videos of the recent past exploring various elements of what drives my work and vision and that of our film production company, Dendrite Studios. We recently launched a new site and look for Dendrite Studios, bringing in the spirit of the raven and the creativity they derive into our brand of making kickass videos.

 

Electric Blue – a photographic look at Antarctica from Dendrite Studios on Vimeo.
 

Scale Independence – a look at the creativity of the natural world from Dendrite Studios on Vimeo.
 

Deep Winter 2014 slideshow by Nicolas Teichrob from Dendrite Studios on Vimeo.

 

Nicolas Teichrob 2013 Deep Summer Slideshow from Dendrite Studios on Vimeo.

 

STAND film Trailer – a surf and SUP documentary about a threatened coast from Dendrite Studios on Vimeo.

 

Coast Mountain Culture – Kootenay Mountain Culture Magazine Promo from Dendrite Studios on Vimeo.


The Electric Blue World of Antarctica

April 7, 2014

 

In November of 2013 I was fortunate to head to Antarctica on a One Ocean expedition.  This trip was through a generous prize donated by One Oceans, given to STAND for winning Best Film at the 2013 Vancouver Festival of Ocean Films.  Anthony and I both went on the trip and it was really an experience that is barely describable.  I communicate emotions, thoughts, feelings through my art, and using the camera as a tool, I focused on the rich colours of the frozen continent.  Although other colours occasional presented themselves (for a future post on oranges and reds), blue and every imaginable and unimaginable tone and vibrance of blue is in existence in Antarctica.

I present The Electric Blue World

 

 


Kauai – a photographic journey

April 2, 2014

Over the Christmas period of 2012/2013 I spent a few weeks on the Hawaiian Island of Kauai.  Kauai is the oldest of the Hawaiian islands and it’s geology and landforms reflect the time it has been exposed to the erosive forces of nature.  Steep spines and gullied mountain ridges, gigantic and lush vegetation and beautiful waves.  One really cool unexpected thing happened in an equipment accident that I continue to use as a tool ever since. Here is a snapshot of my visit.


And the Trees Spoke

February 2, 2014

I like to walk with a stick.  Not a walking stick, just a stick.  A bit bigger than a twig, but nota branch.  I use it to feel the ground around me.  the smoothness of the ivy and the clustered feel of their stems spreads across the forest floor.  the water, fluid and sharp, dances over the rocks with exact precision.  The quartz crystals in the rocks, worn down from lengthy travels, roughly smooth and consistently unique, share history lessons with those willing to feel.  The trees, tall and handsome, some crooked, some horizontal, but they are all there and they are always there.  Nowhere else do they need to be or exist.  Their thoughts need not wander or imagine or explore, they know their role, they know who they are and doubt of such does not exist.  In fact, all of nature does.  The cedar grows forever until some force gives it a new purpose on the forest floor.  Fallen but never forgotten, rather than live in regret and sadness of its lost role in the sky, as a place for beautiful ravens to nest and fly, it knows, understands, and takes on its new role instantaneously.  Moss, lichens, bushes, ferns, and new trees grow on its back, sharing the strength and knowledge of its years with the younglings that those around it have birthed.   The maple, what purpose does it serve, living only a short while before the rot in its base will inevitably bring it to an abrupt resting place? The shadow of its summer leaves cool the stream for fish habitat and its fallen body creates debris to slow the flow.  Slow the flow.   You see, the purpose of all of these trees, ferns, rocks, and water is full and complete and entirely necessary.  Nothing is ever thought or considered or questioned, the goal and reason is uniform and certain.  Venture forth into the forest, stop, listen, and hang out with the gentle giants as those willing to listen will surely learn.

These images are from a trip to Avatar Grove near Port Renfrew on Vancouver Island.  I had been to Renfrew to surf before, as was this trip’s goal, but never made it out to the grove. It’s actually a really easy place to get to, a lot of signs, and the trees, well the trees are incredible.  Ancient cedars, firs, hemlocks….giants!  The variations in the technique of these images outline at times clustered mind with which I shot these pictures.  The forest has so much power and I’ve attempted to showcase some of that power with these photos.

And then we found a little slab.

 

 

 


A Failure of Reason

July 20, 2013

A dead eagle on a stream bed in the Great Bear Rainforest. Power.

A couple of months ago a new magazine started.  I got word of it early on and knew I wanted to be involved.  It’s called Mountain Life Annual is published by the same rad people behind Mountain Life Coast Mountains, but with a jump into a new league.  MLA has a select number of partners, companies that get the rights to have one ad in the magazine, or book as it is more appropriately referred to.  Leslie Anthony is at the helm of the editing and he is about as good or better than anyone for the role.  Expect big things from this annual book. Fortunately for me, in the first issue (currently at the printers), there is an article about the opponents to the proposed Enbridge Northern Gateway pipeline – tanker route, and included in these colourful characters is Norm Hann.  Norm was the star of STAND film, and as such I had a plethora of beautiful and often alternative type imagery that usually would find no home.  Mountain Life Annual gave them a home.  In this article four of my favourite images are shared as spreads, along with a few spots.  Check out this mag when it comes out, because if this is an indication on the quality, then it is going to be premium coffee table fodder.


STAND world premiere, articles, and vacation

May 28, 2013

In a form I keep trying to break, I’m finally writing a blog post two months after my last one.  I keep saying to myself and others that I will try to write and share more, but sometimes work and play get in the way of me and my blog.  But alas, here I am again to spill out some of the most exciting things that have been happening in my world of photography and film over the past 2 months.

For the month of April I pretty much lived in my office, starring at a computer screen and a final cut timeline that seemed endless.  Segment after segment, edit after edit, slowly STAND film was cracked away during the final stages.  Sound design, colour correction, DVD design, poster design, articles, magazines, promo images, blog posts, festivals, world premieres, sponsors, new sponsors, logistics, logistics, logistics.  That is what the month looked like, plus about 1000 other things that I couldn’t keep out of my brain; things to do or unique ideas or future trip planning.  But after all the chaos of finishing a full film to a level I was proud of, we had the world premiere of STAND in Vancouver, BC, on Friday May 3.  The venue was packed, 400 people strong, focusing their eyes and ears on what Anthony and I had dedicated the last two years of our lives to.  It was the big test, and we passed with flying colours.  The projection system was incredible, loaned to us graciously by Sim Digital (thankyou greatly Max and Jon!), and it pumped a massive 10,000 lumen 1920×1080 image onto a 24 foot wide screen.  The event went off and I look back at that evening with such fond memories.  My whole family was there, Anthony’s parents from Australia were there and Norm’s family from Ontario was there.  Mike and Lucy McQuade traveled down from Haida Gwaii, Chris and Kara Williamson traveled down from Kelowna, and friends came from Whistler and Revelstoke for the show.  A full recap with images can be seen on STAND’s blog.  Following the premiere we had shows in Victoria and Tofino, and then it was vacation for me.  I surfed a bunch in Tofino, then when up island to a bike-surf mission with some bros and we hunkered down on BC’s coast for a week of rain, wind, wolves, bears, sea lions, fish, and some slabs.  What we found was a miniature gem, but most importantly it opened the doors to future exploration and adventure.

Upon arriving back in civilization and seeing that our province had voted Christy Clark back into power as premier, and with a majority, I was crushed.  The fight for our coast continues harder than ever now, and I’ve seen even more to keep the fuel lit forever.  The day I got home we hosted the Roberts Creek Film Festival, part of the Arts Festival and showed STAND twice to two packed and engaged crowds.  The day that event ended I finally took a breath and could sit down and gather my bearings.  Work is busy as always which is good but tiring at times.  I know it will slow down, but certain things always need to be maintained when running your own business and those things do not go on vacation when you do.  Fortunately I have a good group of friends and family that pick up the slack when I am away.

In some greater news of magazine publications, I’m stoked to share a recent article that ran in SBC Surf magazine’s current issue.  Thanks to Ikelite Underwater housings for keeping my camera dry and allowing me to make pictures like the one in this article of legend Raph Bruhwiler surfing.

 All photos are by me and words by Norm Hann.  If you ever want to see the Great Bear Rainforest, or learn how to SUP, do it with Norm. The guy is legendary and knows the north coast so so so well.


Cover – Mike Hopkins

March 25, 2013

Getting a cover is always exciting.  My world of photographer is not as focused on the editorial world as many of my colleagues, but I still manage to squeak a cover here from time to time.

My lastest cover is a shot of Mike Hopkins taken last July on a road trip to Rossland to grab some stills.  This was a little scrub that initially  I was not very impressed with, but using the skills we have and our collective ability to crush it, we pulled of some rad shots.  It is very nice to see this as the latest Big Bike Magazine cover.  This is the second Hopkins-Teichrob cover so far.


 


Projection imagery – taking my photographs into a new dimension

February 20, 2013

Recently I was fortunate enough to be able to pen and photograph a feature for the current issue of Mountain Life magazine.  Mountain Life is a west coast culture magazine, which I have worked with for many many years.  The first feature I ever penned was with them (on a surf exploration – camp trip), and I continue to enjoy working with their team.  The current issue is ‘the Photography Issue’, so it is ideally the best issue to ink a feature in as a photographer.   I think the editor (Feet Banks) and I went back and forth a good five plus times to get this piece how we wanted it, but in the end it flows with two narratives, both helping explain the mindful thought behind these pictures.  Here is the piece:

Table of Contents - Raph Bruhwiler, Vancouver Island, BC - Ikelite/Stand Film

Photography is magic. Certainly there is a science behind it, and a history – photographic experiments with pinhole cameras date back to the fourth and fifth centuries – but the way a photo freezes time forever, all the ideas and premeditation of the photographer coming to fruition with the pressing of a shutter button… to me, that’s magic. And the great thing about magic, just when you begin to understand how it works, there’s always a new trick waiting in the shadows.

 

*                            *                                    *

A creek flows through my backyard, it inspires me at unexpected times and has been the subject of more than a few off-season photo experiments. The creek helps me slow down and think. This past autumn as the forest filled in with rich colours and my workload conveniently dried up to a trickle I revisited an idea I had been rattling around for a while. The only reason I hadn’t tried it yet was simply that I hadn’t tried it yet, and that’s a pretty bad reason.   I grabbed a digital projector and a headlamp and headed for the creek.

 

*                                    *                                    *

As photographers we twist dials and turn knobs to capture light, colour, shape –things we can never grasp with our bare hands alone. By changing the composition and framing, focal length and exposure the photograph, and resultantly what is portrayed, will also change. No two images will ever be the same yet each is able to provoke ideas in a viewer that may not have otherwise existed.

Whether it is slide film chemically recording actual particles of light or a modern digital CCD (charge-coupled device) converting those incoming photons to electron charges, one concept of photography has remained constant: to represent and share the three-dimensional world in two dimensions. But viewing a 2D representation of the 3D world has never felt fully satisfying to me and I’ve been trying to find that lost dimension for a while now. I think I found it in the woods down by the creek in my own backyard.

 

*                                    *                                    *

It took four electrical cords linked to cover the 50 metres across my yard, down the bush, over a calm section of the creek and into my first projection site. There are few scenes darker than a moonless November night in BC but I managed to stumble-haul my loose kit of a projector, laptop, tripods, and camera through the forest – and only once slipped on the old 20cm–wide “bridge.”  Even with power cables plugged in and devices connected, I wasn’t overly optimistic about the idea of re-shooting my own photos projected onto logs, leaves, trees and rocks. A lot of things can easily go wrong. Is this a waste of time? Is it stupid? If this was cool wouldn’t someone have already done it? Should I just go back inside and avoid the bear that is probably lingering nearby? The creek answered me by continuing to gurgle along as it always did, blanketing all other thoughts in blissful white noise.

I got back to work.

*                                    *                                    *

For me, conventional photography consists of three major steps: premeditation of the image to be captured, the actual image capture, and post-production/editing. The end result of an image is limited solely by the imagination of the photographer. With the photos in this series I wanted to divert the process partway through and re-combine my raw images with the beautiful environments that surround and inspire my work. Each photograph starts as an original digital image I’ve previously shot. These images are then projected onto carefully selected surfaces that complement or enhance some element of the original photograph.

There are no computer tricks at work here; it’s pure photography. The goal of this work is to expand our collective concept of photographic representation, and to engage audiences to stare and interpret, guess and question, to be confused and understand, to look again and to think beyond what they initially see. By deleting preconceived notions and allowing thoughts to flow freely through the mind, we open the door to pure creativity. This is how the first images began 1600 years ago and how new ideas will continue to develop and broaden the photographic horizons.

 

*                                    *                                    *

I almost knocked everything into the water at least twice, stumbling around the dark edges of the brush trying to shine a light on the third dimension. But from those first images projected onto a pocket of ferns I realized I’d found something at least, a seam to be further explored. Many images didn’t work, time flowed past without notice, but then a photo would land on the ferns and just pop out at me and reinvigorate the process.               This began as a “why not?” idea but as things began to click I found new purpose with every projection and every shot. One of my favourite things about shooting photographs is when I surprise myself. That happened, then it happened again, and again.

*                                    *                                    *

I’ve been down to the creek a half dozen times since that night, even set up a tarp to be able to shoot in the relentless winter rain. I think about images differently now. No matter what I shoot I find myself looking for those elements of depth and ways I can lift the third dimension to the surface.

Photography is science: chemicals on a metal plate or digital pixels on a screen.  But that science is an arena for creativity, one pushing the other until both evolve into something unique. Art, creativity, photography, magic…

These days, it’s all going off at the creek down in the woods in my backyard but I imagine you can find it almost anywhere if you aren’t afraid to look.

 

 

I am very excited by this adventure into a new avenue of visual representation and look forward to future endevours that will lead me and my photography in ways I cannot currently imagine.  There will be some really cool work being done along these realms right here in Roberts Creek, with a collective of individual wizards I’ve come to known…stayed tuned for more details in Spring.